翻訳と辞書
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・ Let Us Burn – Elements & Hydra Live in Concert
・ Let Us Cling Together
・ Let Us Compare Mythologies
・ Let us create more revolutionary films based on socialist life
・ Let Us Garlands Bring
・ Let Us Garlands Bring (Finzi)
・ Let Us Go Back to the Old Landmark
・ Let Us Live
・ Let Us Move On
・ Let Us Never Speak of It Again
・ Let Us Now Praise Famous Death Dwarves
・ Let Us Now Praise Famous Men
・ Let Us Now Praise Sleepy John
・ Let Us Play!
・ Let Us Pray
Let Us Prey
・ Let Us Prey (film)
・ Let Us Resolve Our Silence
・ Let us with a gladsome mind
・ Let Veneto Decide
・ Let Wah Canal
・ Let Wall Street Pay for the Restoration of Main Street Bill
・ Let You Go
・ Let Your Backbone Slide
・ Let Your Body Die
・ Let Your Body Take Over
・ Let Your Conscience Be Your Guide
・ Let Your Dim Light Shine
・ Let Your Glory Fall
・ Let Your Hair Down


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Let Us Prey : ウィキペディア英語版
Let Us Prey


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''Let Us Prey'' is the fourth studio album by English doom metal band Electric Wizard. It was released through Rise Above Records in 2002, and was the last album to feature Electric Wizard's original line-up. After its release Tim Bagshaw and Mark Greening went on to form Ramesses.〔
The vinyl edition was originally pressed by The Music Cartel on a single LP. Rise Above later reissued the vinyl version as a 2LP with a bonus track, "Mother of Serpents". This track also appears on the Japanese version of the album as well as the CD reissues on both Rise Above and Candlelight Records.
==Style==
''Let Us Prey'' was a continuation of the more abrasive doom metal sound of their previous album, ''Dopethrone''. It featured more experimentation and guitar layering on some songs. It is also unusual because it is much shorter (43 minutes) than other Electric Wizard albums, and does not include printed lyrics, making them difficult to decipher.
Speaking to ''Kerrang!'' in July 2009, Jus Oborn remembered: "I think that was our Genesis record. We were all just about the studio, and we wanted to create music using the studio. We were really into the idea of recording then, this pretty technical album. We wanted to be experimental, like trying out some horror movie type stuff, just to see how it works. Each song was like an idea, we didn't write it. We just got an idea, and went with that for how we wanted that to sound."〔Ruskell, Nick. ''Kerrang!'' #1269, July 2009. Treasure Chest. An Intimate Portrait Of Life In Rock. Jus Oborn, p.60〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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